The Curator
Sound healing master, shamanic practitioner and developer of the Soundfulness Method. For more than three decades, Coen has worked at the intersection of ceremony, therapy and human transformation. Every instrument in this shop passes through his hands first.

Credentials
Works with voice and acoustic instruments in exchange with Noke Koi, Huni Kuin, Yawanawa, Shipibo and Kaxinawá traditions.
A systematic approach co-developed with Kees Peters that stimulates conscious contact with deeper levels of reality.
Founder of Soundfulness, Soundwork and Tribal Lifestyle (since 2016). Co-founder of Whispers of the Woods (2025).
Working in expanded-awareness contexts for government, education and healthcare not a hobbyist, a professional.
"A therapeutic instrument is not decoration. It is a tool that has to work on a nervous system, in a real room, with a real person on the mat. If it doesn't do that, it doesn't belong in this shop."
Coen Tuerlings
Why his curation is different
No spec-sheet buying, no importer catalogues. Each bowl, gong and drum is struck, listened to and set aside or rejected.
Two decades of live sessions with clients means he selects for the sound a body actually receives, not what looks good on video.
Instruments are chosen for tone, resonance and durability the three things that break most therapeutic gear within a year.
Direct relationships with makers and shamanic lineages the opposite of the mass-produced 'wellness' market.
The Soundfulness Method
Co-developed with Kees Peters and shaped by ritual and indigenous traditions, the Soundfulness Method uses acoustic instruments and voice to stimulate conscious contact with deeper layers of experience. It is the same discipline Coen brings to selecting the tools you'll use in your own room.

Training & influences
Coen's expertise doesn't come from a single lineage. Decades of formal training across body, ceremony and communication inform how he evaluates every instrument.
Influences include work by David Deida, Jordan Peterson and multiple indigenous shamanic traditions.
Trusted by
This shop exists for people whose reputation depends on the sound in the room. If your clients feel it, you can't fake it.
In Motion
Ceremony, teaching, instrument demonstration recorded in real rooms, with real people.
Field Archive
Ceremony, teaching, one-on-one work, group circles, indigenous exchange. Every instrument in the shop earned its place across scenes like these.


























































































































The Curator's Promise
Every product page is written after Coen has played the instrument himself. Materials, dimensions, tonal character, how it behaves in a room, what it is and isn't for. No importer descriptions. No stock photography spec sheets. Just what a practitioner needs to know before choosing a tool for real work.